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        <title><![CDATA[@michael palmieri - blog]]></title>
        <description><![CDATA[MICHAEL PALMIERI is a noted composer of modern classical music with hundreds of original compositions to his credit. He is one of the most played contemporary classical composers in the world. Mr. Palmieri's composing ability and know-how have been enhanced by his experiences teaching courses in keyboard harmony and ear training in the music theory department at Penn State University, from 1969 to 1970, administrating and concertizing for a major piano manufacturer from 1970 to 1976 and teaching as an independent music instructor from 1976 to the present. Influenced by his classical music and piano training, which includes an M.A. degree in music, his years of performance as a professional musician and his composing, arranging and improvising abilities he has, as news articles put it, "developed his own musical language and style." For the past 30 years he has presented concerts displaying the achievements of his pupils at Weill Recital Hall at Carnegie Hall. This annual event has been listed in The New York Times, New York Magazine and written about in local newspapers. Michael Palmieri has created numerous pieces for major performers. Both the Baltimore Symphony and the San Antonio Symphony Orchestras played an arrangement written by him. The Allard Quartet performed a String Quartet. His music has been choreographed and performed at The University of California. "Music for Clarinet and Piano" was played by prize-winning musicians at music festivals and competitions. Four scores for brass quintet are played by as many as thirty ensembles worldwide. The Electric Alligator Ensemble, an electronic keyboard ensemble, presented performances of his original electronic music. Mr. Palmieri has written many "Piano Pieces" for his own and other professional performances and is the author of "Student Piano Pieces", an ever-growing collection of music written for and performed by his pupils. His 30-minute electronic piece, “Three Fantasies” was considered for the 2011 Pulitzer Prize. Mr. Palmieri orchestrates music for live performances and produces instrumental midi/audio tracks for professional recordings. He has written and performed background arrangements for singers, string arrangements for rock band, a symphonic accompaniment of a patriotic song recorded with chorus, a project sponsored by the government of Norway, and has been commissioned to write original music and arrangements for innumerable performers. His music is broadcasted on hundreds of radio stations throughout the world. Mr. Palmieri writes about music for various webzines and websites. Visual artists, around the globe, are inspired by and dedicate their artwork to him and his music. For over 30 years, Michael Palmieri's technique, reading ability, improvisations, arranging and compositional skills, as well as his adaptability to each very different musical situation, increased his reputation as a top freelance musician. In addition to solo performances, he shared the stage with virtuoso musicians and singers. His assignments have encompassed classical, ethnic, popular, jazz, and rock music. Mr. Palmieri has discontinued freelance performing, concentrating his energies on creating new musical compositions and training musicians. An article about Michael Palmieri and his music, in the web magazine “Living Life...Boomer Style”, states, “He persists in influencing this generation’s musicians, teachers and composers.”]]></description>
        <link>https://mixposure.com/michael-palmieri</link>
        <lastBuildDate>Tue, 21 Apr 2026 13:19:29 -0400</lastBuildDate>
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                <title><![CDATA[What is the definition of Classical music? - @michael-palmieri]]></title>
                <link>https://mixposure.com/michael-palmieri/blog/826/what-is-the-definition-of-classical-music</link>
                <guid>https://mixposure.com/michael-palmieri/blog/826</guid>
                <description><![CDATA[Hello to all,&lt;br /&gt;&lt;br /&gt;The genre "Classical":&lt;br /&gt;&lt;br /&gt;I wonder what the definition of "Classical" music is, as the term is used online. When does a piece fall into the "Classical" genre?&lt;br /&gt;&lt;br /&gt;When the online "genre committee" selected the "Classical" genre, I think they were expecting "performers" of standard literature, rather than today's "composers", to post their recordings online. &lt;br /&gt;&lt;br /&gt;The description of "Classical", in Soundclick.com's "Music Charts and Genres" on its home page, begins with "Mozart and Schubert". Those performers of Classical music may have recorded for example, "Classical", "Baroque" or "Medieval"&amp;nbsp; music, and would have a sub-genre under which to place their recordings, and have an accurate category for listeners to search. &lt;br /&gt;&lt;br /&gt;The reason I feel that the "genre committee" was not expecting composers to enter these genres is, because these genres and sub-genre represent well defined historical periods during which all composers, who would have composed these genres, are now dead.&lt;br /&gt;&lt;br /&gt;Before coming online "Classical music" for me meant - that music written during the historical "classical" period (approx. 1750 to approx. 1825).&lt;br /&gt;&lt;br /&gt;I have seen on another website the definition that Classical music is music that is written down and passed on. But certainly there are fine Classical composers online who improvise using a sequencer and wouldn't know what to do with a notation program. In addition any genre of music can be written down. So, that shoots that definition.&lt;br /&gt;&lt;br /&gt;The word "Classical " doesn't work. The problem is - none can agree on a suitable replacement for it.&lt;br /&gt;&lt;br /&gt;I understand that the world at large, for lack of a better word, refers to this music as "Classical ".&lt;br /&gt;&lt;br /&gt;In academia there is an unspoken agreement that - no one really knows what to call this music.&lt;br /&gt;&lt;br /&gt;Some try calling it "Serious" music. This term pompously connotes that other types of music are not equally serious. Others call it "Concert" music. But certainly Rock music is performed in concert. &lt;br /&gt;&lt;br /&gt;Tell me it's a matter of semantics. But "Classical" ain't the right word to describe all this music that has evolved, from one form to another, over the past 600 to 700 years - and still continues to do so.&lt;br /&gt;&lt;br /&gt;-------------------------------------------------------&lt;br /&gt;&lt;br /&gt;the sub-genre "Contemporary" Classical:&lt;br /&gt;&lt;br /&gt;Most modern composers have settled on the term "Contemporary" music to represent what they do; but they have ignored the fact that other types of music are also contemporary.&lt;br /&gt;&lt;br /&gt;When does something stop being "Contemporary" classical? Stravinsky &amp;amp; Copland were alive &amp;amp; well in the 1960's. Now, 45 years later, are they contemporary? Serial music dates to 1920's. Are the serial composers Schoenberg, Berg and Webern contemporary 85 years later? In 1898 Stravinsky was a young man while Brahms was in his last year. Why is Brahms not considered contemporary?&lt;br /&gt;&lt;br /&gt;When does "Contemporary" end and something else begin?&lt;br /&gt;&lt;br /&gt;Until the late 1800's, when European western civilization's music became very nationalistic, the evolution of music - regarding its form and harmony - followed just one strand. Mostly evolving in Germany and Austria, Bach led to Mozart to Beethoven to Shubert to Schumann to Brahms to Wagner to Mahler. In the late 1800's countries fostered their own nationalistic versions of the arts. There became a French style (Chopin to Frank to Faure to Debussy). In Italy, they were writing opera (Rossini, Donizetti, Verdi, Puccini). The Russian style had composers such as Tchaikovsky, Mussorgsky, Rimsky-Korsakov, Stravinsky, and later the Soviets had Shostakovich.&lt;br /&gt;&lt;br /&gt;So, it was as long ago as the mid 1800's that this phenomenon that we call "Classical" music began simultaneously evolving in totally different directions and styles.&lt;br /&gt;&lt;br /&gt;Once we hit the 20'th century it split further and further into different schools of thought and style, which had almost nothing to do with each other. There was serial composition, atonality, aleatory, polytonal, electronic, neo-classical, neo romantic and later minimalism.&lt;br /&gt;&lt;br /&gt;There are as many types and styles and categories of this music as there are composers who write it and as there are pieces that they write.&lt;br /&gt;&lt;br /&gt;my best to all,&lt;br /&gt;michael palmieri&lt;br /&gt;&lt;br /&gt;Michael Palmieri&amp;copy;2006&lt;br /&gt;&lt;br /&gt;]]></description>
                <pubDate>Mon, 07 Jul 2008 18:48:20 -0400</pubDate>
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