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        <title><![CDATA[@Tallisman - blog]]></title>
        <description><![CDATA[&lt;p&gt;&lt;img src=&quot;http://www.imusicscene.com/image.php?band_id=1171&amp;amp;image_id=653&amp;amp;mode=photo_image&amp;amp;width=640&quot; alt=&quot;some text&quot; width=&quot;128&quot; height=&quot;258&quot; align=&quot;left&quot; /&gt;&lt;strong&gt;S&lt;/strong&gt;ome credit alien-neural implants, possibly from an early childhood abduction. Others believe DNA manipulation, a back-room genetics experiment, is responsible. Most likely, the truth will remain concealed until the autopsy. Nevertheless, the word on the street is that Tallisman is synonymous with the term &quot;Fresh MC.&quot;  &lt;strong&gt;T&lt;/strong&gt;he odyssey begins in the early 80s with the words &quot;jam on it.&quot; Intrigued, senses tingling, a fascination with the new sound was born, and so was Tallisman. Shortly thereafter, the eternal words of Grandmaster Flash and the Furious Five's The Message consecrated a young rapper's love for the art form. Hip to the power and potential of this new music, Tallisman began his quest for microphone supremacy, sights locked on honing skills and elevating the art.  &lt;strong&gt;T&lt;/strong&gt;allisman began to write prolifically. Lyrics and ideas filled mounds of scrap paper and notebooks. During recess, crowds would gather at school to listen to him rhyme and freestyle about everything under the sun.  &lt;strong&gt;I&lt;/strong&gt;n 1989, he toured England and Ireland with a multi-art performance group, Peace Moves '89. The tour culminated with him opening for reggae legends, Aswad, during the Cambridge music festival.  &lt;strong&gt;I&lt;/strong&gt;n 1992, after more then ten years of preparation and practice, it was time to begin the task of immortalising the music. Tallisman and fellow mc, Positively Smooth, formed &quot;product KVA&quot; and recorded their first EP, &quot; Trumpet Blasts Blow.&quot; Tallisman simultaneously co-founded Haltown Projex, a Halifax based hip-hop collective, which included such artists as Buck 65 and dj Jo Run tha Witch Doctor. Tallisman and the Halifax contingent immediately began to gain notoriety throughout Canada's underground scene. In 1994, product KVA became Plains of Fascination; the group expanded, and recorded a full-length demo.  &lt;strong&gt;E&lt;/strong&gt;arly in 1995, the crew toured Germany. A K&amp;ouml;ln based label, Groove Attack Productions, amazed by the sound and live performance, offered to sign the group. Two singles were recorded and The Plains continued to rock Deutschland, charting as they went. Join the Ranks, the bands first album, was completed in '96, and with the help of a video for a track called, &quot;MindMeld,&quot; the album soared to number three on the college hip-hop charts. Join the Ranks included a track entitled &quot;Waitin' 4 the Streets,&quot; which featured the vocal of a newcomer to the Canadian music scene: Nelly Furtado.  &lt;strong&gt;I&lt;/strong&gt;n 1997, Tallisman and Nelly formed the trip Hop duo, nelstar*. His atmospheric production and her stylish vocal were sufficient to win the duo a VideoFact Award for 'Like,&quot; the first song they recorded! They went on to record a fantastic demo, and the rest of that story is history... Ever looking to broaden his musical experience, Tallisman leapt at the oppertunity in 1997 to join Canadian hip-hop icon, Michie Mee, on Raggadeath's sophomore record &quot;Dance with the Devil.&quot;  &lt;strong&gt;1&lt;/strong&gt;998. Tallisman had made a name for himself in the underground circuits: Freestyle Fanatic, Revolutionary Lyricist and Producer Extraordinaire. He formed a new Toronto-based collective known as UNIT-e. Featuring five of the city's finest MC'z, and two groups, the UNIT blew up. Tallisman produced and recorded three EPs and an album for the crew, among which were the cult-classics &quot;One Mc,&quot; and &quot;Planet of the Apes.&quot;  &lt;strong&gt;1&lt;/strong&gt;999. Regina, Saskatchewan. Finally, the time was right. Metamorphosis completed, skills honed and in place, reputation intact, Tallisman began the creative excursion, which ended in the January 2002 release of his first solo work: &quot;80 Million Isms.&quot; The record is already winning critical acclaim. The poetics, beats and positivity come as a breath of fresh air, infusing the hip-hop art form with new life. ...and that is just the beginning!&lt;/p&gt;]]></description>
        <link>https://mixposure.com/tallisman</link>
        <lastBuildDate>Sun, 12 Apr 2026 22:28:34 -0400</lastBuildDate>
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                <title><![CDATA[a thin line, thick skin, steel resolve - @tallisman]]></title>
                <link>https://mixposure.com/tallisman/blog/403/a-thin-line-thick-skin-steel-resolve</link>
                <guid>https://mixposure.com/tallisman/blog/403</guid>
                <description><![CDATA[&lt;b&gt;a thin line, thick skin, steel resolve&lt;/B&gt;<br><br>
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&lt;B&gt;i&lt;/b&gt;t is an amazing, and odd thing this: making art and parading it before the masses. those who do it for the sake of the art-form--to contribute to the canon, to elevate it, to expand the boundaries governing the genre--often feel frustrated by the efforts of entertainers and industry folk whose primary motive is bottom line. Many pimp and prostitute the arts for bucks and fame and leave a plethora of mediocrity in their wake.<br><br>
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&lt;B&gt;t&lt;/b&gt;o borrow from a source of inspiration and lend it to this context, think J5 and think thin line. Artists walk a very thin line. Of paramount importance, is the expressive voice finding life on their canvas of choice--paint, movement, stage, mic, sp1200.<br><br>
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&lt;B&gt;t&lt;/B&gt;his is the world, and life, filtering through my perception, my beliefs and my integrity... struggling to find its voice in my music. Like any voice it yearns for the receptive ear. Those ears that are sympathetic love the music--the lyrical content, the flows, the  feelings evoked, the little piece of soul that is on offer for embellishment of their cypher. But, the artist needs to eat too, and the message needs to reach. Therefore, we need to find a balance (like atmosphere), we are looking for a balance: while i am no advocate of formulaic musical composition, we still need the right formula: &lt;I&gt;artistry&lt;/I&gt; in terms of music and lyric, some &lt;I&gt;bumpability&lt;/I&gt;, some &lt;I&gt;funk&lt;/I&gt;, the &lt;I&gt;head-nod factor&lt;/I&gt; and &lt;I&gt;quality control&lt;/I&gt;. Believe me when i tell you a touch of mass appeal will not hurt your career, your music, and if your head is on right--connected to your heart and soul, it will not hurt your integrity either.<br><br>
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&lt;B&gt;e&lt;/b&gt;ven with all the right ingredients, there will be folks who don't feel it, can't understand it, don't like it, and use words like crap and poopy and ain't real, to describe it. Let your skin be thick and your armour impenetrable. Stay focused on the voices of you calling as the resonate from your soul throughout your being--do not cross them, undervalue them or deny them, or they will dissipate and be lost.<br><br>
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&lt;B&gt;y&lt;/B&gt;ou need to be detached from self enough to remain untouched and undaunted by the non-constructive criticism of naysayers. You need to be attached enough to that inner voice the driving catalyst in your artistic endeavours, to steel your resolve.<br><br>
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&lt;B&gt;y&lt;/b&gt;ou got music (visual art, dance, theatre, writing) to make. Make it. Do it for yourself, and humanity, and for the sake of art. Do it to appease that creative voice - an unheard voice is a lonely.<br><br>
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--this is what I will tell my sons when they begin to create.<br><br>
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boogiewitchabadself!<br><br>
.Tallis<br><br>
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]]></description>
                <pubDate>Fri, 18 Jan 2008 23:49:08 -0500</pubDate>
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