This one started as just a G-C-D, Em-F#m thing but played in Open G for different guitar voicings. I'm generally a terrible slide player, so that layer...
This one started as just a G-C-D, Em-F#m thing but played in Open G for different guitar voicings. I'm generally a terrible slide player, so that layer (played on a 5-string Tele, also in Open G) took about three dozen edits just to remove the klinkers. The lead, played on a CS-356, is trying to stay simple. The bass and drums came from loops -- for drums, I have a tendency to layer up several at once to try and build more rhythmic interest, and did so here.
01/12/09 08:17:45AM @mark-reed:
This is a nice piece, liked the backing. It provides just the right support for the guitars to go exploring. Nice work well done
01/11/09 04:37:29AM @the-autumleaf:
Nice Tune...Very Happy and some great guitar playing here....Loved the feel of it...Great Work
regards
Jay From The Autumnleaf
01/10/09 03:56:50PM @dazed:
Wow! This is awesome. Talk about some great playing. There is something in the intro that sounds like a distorted percussion part. I know it is part of the song but I think it is distracting to the sweet playing. It is not as noticeable in the rest of the tune. Very sweet tune Clay. This one shines!
01/10/09 03:38:47PM @rayon-vert:
I listened to this earlier and really loved the feel.....This is one of those songs that just puts a smile on your face and ya just sit back and cruise with it. Love the biting guitar soloing and tone. Yea, it has that Allman Bros southern feel and I like that. Real fine job and I sure hope there's a download, 'cause this make for some mighty fine cruisin' music.
Rob
01/10/09 02:20:01PM @soundtrapper:
Sure enjoyed Clay. Tune has a great vibe and full of cool guitar licks and tone.
Cheers,
Micael
01/10/09 04:57:04PM @vesa:
Hey Clay...it's been a short while, well worth the wait. Love this,-cool percussive like steppin' - I can feel about 4 genres mixed already in here, well melded together, some country, funky rock blues. Great guitar playing variations...dig the slide always. Inspired me man. Good sound all around. Nice overlapping here makes for a good arranging. Fine catchy snappy happy tune. Love it. Very good sounds you have created in a good juxtapostioning.(like that word)
Into my faves. You took me to New Mexico to Morocco and back. GREAT! FAB!
EXCELLENT Clay. -Your friend. -Vesa.
01/10/09 05:35:43PM @clayville:
Thanks for the close ears and generous comments folks! I tend to build things up out of disparate drum and percussion loops, so part of that genre smear Vesa notes comes out of that: one loop (say) emphasizing the 2 & 4 with another one pushing the 1 & 3, with one being old school funk and the other more of a hip-hop thing. But... as Dazed points out, sometimes pre-processed loops taken out their 'natural' context can be a bit over-active, and I don't have access to the individual elements except perhaps through e.q. The first one here has a sort of sand-papery highhat-like sound and some beeps and burbles that are... confusing to a listener, and I tried to pare them back by notching the highs a little even at the start, and switched to a less distracting loop fairly early in the song. In semi-defense, I'd say that some of that disoriented feeling is half-baked intentional strategy on my part -- an effort to consciously create a sort of "WTF is this?" vibe which might put you on "my" side for the entrance of the guitar (especially with that tuba going!). But then again, I'd have to agree with Dazed that as the track evolved, the first one goes a bit too far, sounding low-fi and tinny in an otherwise warmish space. (If any of that makes any sense!)
Thanks again!
<p>I'm a midlife blueshound who hasn't been in a band since high school, when my main ambition was to sound as much like "Get Yer Ya Yas Out" as possible. Still workin' on that in my self-taught way, but except for an ocassional open mic blues jam most of my playing time now is over backing tracks created by myself or online friends from some of the communities I frequent. At my site over at Soundick (which never seems to make you throw anything away) there are now over 500 of such efforts archived. That's a lot of recording practice, but only a marginal increase in playing chops.<br /><br />I bring most of the very best stuff over here when I remember to do it, so the things here generally stand the test of time to me. Elsewhere I'll tackle anything from blues to rock to jazz to funk if I can find a way in, but the results don't always merit (or reward) repeated listen.<br /><br />Fun for me, but as they say: your mileage may vary!<br /><br />Thanks for stopping by. I promise to review your stuff "real soon".</p>
This is a nice piece, liked the backing. It provides just the right support for the guitars to go exploring. Nice work well done
Nice Tune...Very Happy and some great guitar playing here....Loved the feel of it...Great Work
regards
Jay From The Autumnleaf
Wow! This is awesome. Talk about some great playing. There is something in the intro that sounds like a distorted percussion part. I know it is part of the song but I think it is distracting to the sweet playing. It is not as noticeable in the rest of the tune. Very sweet tune Clay. This one shines!
I listened to this earlier and really loved the feel.....This is one of those songs that just puts a smile on your face and ya just sit back and cruise with it. Love the biting guitar soloing and tone. Yea, it has that Allman Bros southern feel and I like that. Real fine job and I sure hope there's a download, 'cause this make for some mighty fine cruisin' music.
Rob
Sure enjoyed Clay. Tune has a great vibe and full of cool guitar licks and tone.
Cheers,
Micael
Hey Clay...it's been a short while, well worth the wait. Love this,-cool percussive like steppin' - I can feel about 4 genres mixed already in here, well melded together, some country, funky rock blues. Great guitar playing variations...dig the slide always. Inspired me man. Good sound all around. Nice overlapping here makes for a good arranging. Fine catchy snappy happy tune. Love it. Very good sounds you have created in a good juxtapostioning.(like that word)
Into my faves. You took me to New Mexico to Morocco and back. GREAT! FAB!
EXCELLENT Clay. -Your friend. -Vesa.
Thanks for the close ears and generous comments folks! I tend to build things up out of disparate drum and percussion loops, so part of that genre smear Vesa notes comes out of that: one loop (say) emphasizing the 2 & 4 with another one pushing the 1 & 3, with one being old school funk and the other more of a hip-hop thing. But... as Dazed points out, sometimes pre-processed loops taken out their 'natural' context can be a bit over-active, and I don't have access to the individual elements except perhaps through e.q. The first one here has a sort of sand-papery highhat-like sound and some beeps and burbles that are... confusing to a listener, and I tried to pare them back by notching the highs a little even at the start, and switched to a less distracting loop fairly early in the song. In semi-defense, I'd say that some of that disoriented feeling is half-baked intentional strategy on my part -- an effort to consciously create a sort of "WTF is this?" vibe which might put you on "my" side for the entrance of the guitar (especially with that tuba going!). But then again, I'd have to agree with Dazed that as the track evolved, the first one goes a bit too far, sounding low-fi and tinny in an otherwise warmish space. (If any of that makes any sense!)
Thanks again!