"Dancing in the Dreamtime - A Sonic Banishment in 3 Movements"Originally recorded with the stand alone Max MSP program - I Am The Mighty Jungulator" was...
"Dancing in the Dreamtime - A Sonic Banishment in 3 Movements"
Originally recorded with the stand alone Max MSP program - I Am The Mighty Jungulator" was revised and rerecorded with Ableton Live 7 LE.
I originally did this piece as a sonic tonic to evangelical hip hoppers who had their fingers so far up my nose I couldn't breath.
This, and all songs from Totems from the Diaspora are available through iTunes and other major digital distribution sites.
09/12/10 12:36:22AM @cooter:
Whoa! This is a terrific experience, Sean. Love the droning didgeridoo sound. Also digging how the piece unfolds itself.
08/23/10 08:14:02AM @the-sorrows-of-the-languedoc:
I am suprised that at the time of writing this has no listens or reviews - shame! Great rhythm which has straight ahead feel but being pulled by a swing element. The repetition and general soundscape is nicely weighted towards minimalism but with enough to draw one in (the semi pizzicatto, searing high tone and grumbling low tones create a fine contrast). Full respect to our man Sean for a long awaited offering. ftlpope
n0mad23 is the current meme form of the Renaissance Man Sean Kilpatrick.
Raised in Cameroon and Indonesia before settling as an adult in the Pacific Northwest, n0mad23 has been primarily a performing artist. He has played extensively in Washington State and the greater Phoenix, Arizona area.
The Hybrid Association (Sean & Rebecca Kilpatrick and Blake and Denise Hausman), began with Sean and Blake in 2000. Recordings began in 2001.
The other group was the Babylon Crackers (Sean Kilpatrick, Blake Hausman, Andy Buckman, and Andy Hoffman) whose primary venues were pubs frequented by professors and other academic weirdos.
Both groups reveal n0mad23's tendency towards blurring generic boundaries and adding some World influences to the mix.
The other tracks are from his last and latest solo projects.
Whoa! This is a terrific experience, Sean. Love the droning didgeridoo sound. Also digging how the piece unfolds itself.
I am suprised that at the time of writing this has no listens or reviews - shame! Great rhythm which has straight ahead feel but being pulled by a swing element. The repetition and general soundscape is nicely weighted towards minimalism but with enough to draw one in (the semi pizzicatto, searing high tone and grumbling low tones create a fine contrast). Full respect to our man Sean for a long awaited offering. ftlpope