02/14/08 11:48:36PM @mike-lynn:
Very god song. Interesting opening, tasty solo, pleasant chorus & arrangement. Solidly performed.
02/14/08 05:36:56PM @the-bard-brothers:
I like the air; it seems real. Nice arpeggio going. Piano is perfect, quite and understated. This will always be my beef-- could you record the acoustic guitars with a mic rather than line-in? It would add so much more depth and resonance to the song. Voice is fine, though it could come up a bit more in the mix without hurting the instrumentation at all. Overall a soild track with nice changes. A complete package.
I am essentially a one-man band. Though I had a band for a while to play the songs live with only the bass player has ever recorded with me. I write,...
I am essentially a one-man band. Though I had a band for a while to play the songs live with only the bass player has ever recorded with me. I write, record, engineer, produce, play, sing, mix, and master all these projects on my own. So that may account for some of their deficiencies but at least I get to execute my vision for the songs the way I want.
My goal is to somehow integrate doo-wopp (why did it cross that out?) and late 50s pop melody influences with an Americana roots-based songwriting approach (which I can't seem to get rid of no matter how hard I try) with the experimentation and instrumentation of mid-late 60s progressive pysch chamber pop. A friend of mine recently called it "modern freaked out Americana". I think I like that.
Very god song. Interesting opening, tasty solo, pleasant chorus & arrangement. Solidly performed.
I like the air; it seems real. Nice arpeggio going. Piano is perfect, quite and understated. This will always be my beef-- could you record the acoustic guitars with a mic rather than line-in? It would add so much more depth and resonance to the song. Voice is fine, though it could come up a bit more in the mix without hurting the instrumentation at all. Overall a soild track with nice changes. A complete package.